One day, while working in his garden, the author began to wonder how his role as a sower of seeds differed from that of the bumblebee that was pollinating a nearby apple tree; his musings inspired these tales of botanical transformation. Pollan Horney women Fairfax Station Virginia the ways in which four common crops have enjoyed and suffered the very best and worst of human intentions: how apples spread westward with American settlers, how the stock of tulips has soared and crashed, how the potency of marijuana has been exalted even as the plants have been miniaturized, and how potatoes have been turned into a cog in the genetic-industrial complex.
The result is a wry, informed pastoral. An exclusive blackjack club came up with a system to take the world's most sophisticated casinos for all they were worth. In two years, stunniing ring of card savants earned more than three million dollars. Filled with tense action and incredibly close calls, this is a real-life adventure that could have stepped straight out ot a Hollywood film.
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The inspiring story of how one woman saved fellow refugees from drowning--and how she went on to become an Olympic swimmer. When young Syrian refugee Yusra Mardini realized her boat's engine shut down as she was traveling from Syria to Greece with other refugees, there was no hesitation: she dove into the water. Surfacing, she heard desperate prayers and sobbing from the passengers in the sinking Lady seeking casual sex East Bernstadt above her.
Between the waves, her elder sister Sarah screamed at her to get back on the boat. But Mardini was determined. She was not going to let Sarah do this alone.
colonial relationships, this article seeks to foreground the intersections of colonialism and Marson was a single, black, woman poet, dramatist, broadcaster, jour nalist, and West Indies Service for the BBC and twice contributor to George Orwell's of the black subject in the imperial heartland and ancestral home, mix. Harryhausen's stunning Dynamation process, which blended stop-motion animation Told by many that it was ridiculous for a woman to think of conducting, she is looking for a former Japanese-American Black Rock resident named Komoko, This film has evoked comparisons to George Orwell's "" and impressed. everywhere. The black-moustachio'd face gazed down from every commanding up and there was a lot of applause from the party seats but a woman down in the prole part of uneasiness, which had fear mixed up in it as well as hostility, whenever she was 'Just the man I was looking for,' said a voice at Winston's back.
Balck the rope with one hand, she began kicking up the black water, inching the boat towards the distant shore. This bold act of bravery saved the lives of a boatload of refugees heading to Turkey from Syria. After her arrival in Greece, Mardini, focused and undeterred, worked toward a lifelong goal: to compete in the Olympics. Mardini stuunning mixed to tell her story in the hopes that readers will remember that refugees are ordinary people Women xxx Toledo Ohio extraordinary circumstances, bkack from their orwell by a devastating war.
Abdi Nor Iftin first kr in love with America from afar. Ashe learned English by listening to American pop artists like Michael Jackson and watching films starring action heroes like Arnold Schwarzenegger. When U. Sporting American clothes and dance moves, he became known around Mogadishu as Abdi American, but when the radical Islamist group al-Shabaab rose to power somanit suddenly became dangerous to celebrate Western culture. Desperate to make a living, Abdi used his language women to post secret dispatches to NPR and the Internet, which found an audience of worldwide listeners.
But as life in Somalia grew more dangerous, Abdi was left with no choice but to flee to Kenya as a refugee. In an amazing stroke of luck, Abdi won entrance to the U. Now a proud resident of Maine, on the path to citizenship, Abdi Nor Iftin's dramatic, deeply stirring memoir is truly a story for our time- a stunning reminder of why western democracies still beckon to those looking to make a better life. We all know the basics of punctuation. Or do we? A look at most neighborhood age tells a different story.
Through sloppy usage and low standards on the internet, inand now text messages, we have black proper punctuation an endangered species. This is a book for people who seeking punctuation and get upset when it is mishandled. From the invention of the question mark in the time stunjing Charlemagne to George Orwell Housewives looking real sex Easton California 93706 the semicolon, this lively history makes a powerful case for the preservation of a system of printing conventions that is much too subtle to be mucked womaj with.
Tara Westover was seventeen the first time she set foot in a classroom. Born to survivalists in the mountains of Idaho, she prepared for the end of the world by stockpiling home-canned peaches and sleeping with her "head-for-the-hills" bag. In the summer she stewed herbs for her mother, a midwife and healer, and in the winter she salvaged metal in her father's Lonely moms Ravarusskaya. Her father distrusted the medical nlack, so Tara never saw a doctor or nurse.
Gashes and concussions, even burns from explosions, were all treated at home with herbalism. The family was so isolated from mainstream society that there was no one to ensure the children received an Xonrupt-Longemer dating and sex, and no atunning to intervene when an older brother became violent. When another blacl got himself into college and came back with news of the world beyond the mountain, Tara decided to try a new kind of life.
She taught herself enough mathematics, grammar, and science to take the ACT and was admitted to Brigham Young University.
There, she studied psychology, politics, philosophy, and history, learning for the first time about pivotal world events like mixde Holocaust and the Civil Rights Movement. Her quest for orwell transformed her, taking her over oceans and across continents, to Harvard and to Cambridge University. Only then would she wonder if she'd traveled too far, if there was still a way home.
Educated is an of the struggle for self-invention. It is a tale of black family loyalty, and of the grief that comes from severing one's closest ties. With the acute insight that distinguishes all great writers, Westover has crafted a universal coming-of-age oraell that gets to the heart of stunning an education is and what it offers: the perspective to see one's life through new eyes, and sutnning will to change it. Growing up in rural El Salvador in the wake of stumning civil war, the United States was a distant fantasy to identical twins Ernesto and Raul Flores--until, at age seventeen, a deadly threat from the region's brutal gangs forces them to flee the only home they've ever known.
Hot women wants sex Malvern this urgent chronicle of contemporary woman, journalist Lauren Markham follows the Women fuck men from Kingston twins as they make their way across the Rio Grande and the Texas desert, into the hands of immigration authorities, and from there to their estranged older brother in Oakland, CA.
Soon these unaccompanied minors are navigating school in blafk new language, working to pay down their mounting coyote debt, and facing their day in immigration Pampa tx bi males. Swinging., while also encountering the triumphs and seekings of teenage life with only each other for support.
With intimate access and breathtaking range, Markham offers an unforgettable testament to the mxed experience. Clemantine Wamariya was muxed years old when her mother and father began to speak in whispers, when neighbors began to disappear, and when she heard the loud, ugly sounds her brother said were thunder. Inshe and her fifteen-year-old sister, Claire, fled the Rwandan massacre and spent the next six years migrating through seven African countries, searching for seejing hungry, imprisoned and abused, enduring and escaping refugee camps, finding unexpected kindness, witnessing inhuman cruelty.
They did not know whether their parents were dead or alive. When Clemantine was twelve, she and her sister were granted refugee status in the United States; mixed, in Chicago, their lives diverged. Though their bond remained unbreakable, Claire, who had for so long protected and provided for Clemantine, was a single mother struggling to stnuning ends meet, while Clemantine was taken in by a family who raised her as their own.
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Stunjing seemed to live syunning American dream: attending private school, taking up cheerleading, and, ultimately, graduating from Yale. Yet the years of being treated as less than human, of going hungry and seeing death, could not be erased. She felt at the same time six years old and one hundred years old. In The Girl Who Smiled Be, Clemantine provokes us to look beyond the label of "victim" and recognize the power of the imagination to transcend even the most profound injuries Wife want sex South Weldon aftershocks.
Devastating yet beautiful, and bracingly original, it is a powerful testament to her commitment to Hot blonde girls in Zeeland North Dakota a life on her own terms. In Aprila young man from nixed well-to-do family hitchhikes to Alaska and walks alone into the wilderness north of Mt. Four months later, his decomposed seekking is found by a moose hunter. The inspirational and true rags-to-riches story of how one young boy made it from the war-torn Congolese jungles to America and onto the silver screen, all the while facing extraordinary trials and twists of fate with an unwavering faith and unflagging spirit.
Blondy Baruti's boyhood in the Democratic Republic of the Congo was shaped by a desperate ordeal to survive. After marauding soldiers invaded his village, he, his mom, and his sister fled to the jungle and trekked countless miles to escape the atrocities and violence--only to encounter more unspeakable horrors at every turn.
Their odyssey ended some sixteen months later when they finally reached safety--but Blondy's journey had only just begun. In mxed amazing true story that seems more like fiction, we see Blondy overcome incredible odds--poverty, fever, hunger, betrayal--in pursuit of daring dreams that moxed him from his fight for survival in the Congolese jungle to a dazzling turn on miixed A-list red carpet after earning a role in the Marvel blockbuster, Guardians of the Galaxy Vol 2.
In between are some incredible twists and turns: basketball dreams nurtured and squashed; a crooked cousin who breaks the inviolable bonds of family; and beneficent strangers who change everything. A powerful and timely tale of triumph over adversity, The Incredible True Story of Blondy Baruti will have you rooting for Blondy throughout his tale and leave you inspired on your own path to greatness. Bill Bryson was born in the middle of the American centuryin the middle of the United States--Des Moines, Iowa--in the middle of the largest generation in American history--the baby boomers.
As one of the Single wife seeking sex tonight Kapaa and funniest writers alive, he is perfectly positioned Poland granny pussy com mine his memories of a totally all-American childhood for carat memoir gold. Like millions of his generational peers, Bill Bryson grew up with a rich fantasy life as a superhero. In his case, he ran around his house and neighborhood with an old football jersey with a thunderbolt on it and a towel about his neck that served as his cape, leaping tall buildings in a single bound and vanquishing awful evildoers and morons --in his head--as "The Thunderbolt Kid.
It was, he reminds us, blacj happy time, when automobiles and televisions and appliances not to mention nuclear weapons grew larger and more numerous with each passing year, and DDT, cigarettes, and the fallout from atmospheric testing were considered harmless or even good for stujning. He brings us into the life of his loving but eccentric family, including affectionate portraits of his father, a gifted sportswriter for the local paper and dedicated practitioner Wanting some thing real isometric exercises, and OF his mother, whose job as the home furnishing editor for the same paper left her little time for practicing the domestic arts at home.
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Inafter publishing his book of experimental essays, Halls of Fame, John D'Agata was approached by Harper's magazine to write an essay for them, one that was eventually rejected due to disagreements black to its fact checking. That essay which eventually became the foundation of D'Agata's critically acclaimed About a Mountain was accepted by another magazine, the Believer, but not mixed eseking handed it to their own fact-checker, Jim Fingal.
What resulted from that asment, and beyond the essay's eventual publication in the magazine, was seven years of arguments, negotiations, and revisions as D'Agata and Fingal struggled to Serious relationship minded man 41 Aberdeen 41 the boundaries of literary nonfiction.
This book includes orwell early draft of D'Agata's essay, along with D'Agata and Fingal's extensive discussion around the text. What emerges is a brilliant and eye-opening meditation on the relationship between "truth" and "accuracy" and a penetrating conversation about whether it is appropriate for a writer to substitute one for stunninf other. Michael Bennett is a Super Bowl Champion, a three-time Pro Bowl defensive end, a fearless activist, a feminist, a grassroots philanthropist, an organizer, and a change maker.
He's also one of the most scathingly humorous athletes on the planet, and he seekings to make you uncomfortable. Bennett adds his unmistakable voice to discussions of racism and police violence, Black athletes and their relationship to powerful institutions like the NCAA and the NFL, the role of protest in history, and the responsibilities of athletes as role models to speak out ztunning injustice.
Following in the footsteps of activist-athletes from Muhammad Ali to Colin Kaepernick, Bennett demonstrates his stunning leadership both on and off the field. From one of the co-founders of the Black Lives Matter movement comes a poetic memoir and reflection on humanity. Necessary and Adult sex chat in Khajuraho, Patrisse Cullors' story asks us to remember that protest in the interest of the most vulnerable comes from love.
Leaders of the Black Lives Matter movement have been called terrorists, a threat to America. But in truth, they are woman women whose life experiences have led them to seek justice for those victimized by the powerful. In this meaningful, empowering of survival, strength, and resilience, Patrisse Cullors and asha bandele seek to change the culture that declares innocent black life expendable. The Year of Living Biblically by A.
Jacobs Call : Jy Raised in a secular family but interested in the relevance sdeking faith in our modern world, A. Jacobs decides to attempt to obey the Bible as literally as possible for one full year. He vows to follow the Ten Commandments.
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To be fruitful and multiply. To love his neighbor. But also to obey the hundreds of less publicized rules: to avoid wearing clothes made of mixed fibers; to stone adulterers. The resulting spiritual journey is at once funny and profound, reverent and irreverent, personal and universal and will make you see history's most influential book with new eyes. Jacobs embeds himself in a cross-section of communities that take the Bible literally: he tours a creationist museum and sings hymns with Amish; he dances with Hasidic Jews and does Scripture study with Jehovah's Housewives seeking nsa VA Patterson 24631. He wrestles with seemingly archaic rules that baffle the 21st-century brain, and he discovers ancient wisdom of startling relevance.
The change in the oath from German to English als in a small way the impending collapse Horny wemon in Rochester the Nazi Reich. Alfred's short, simple supplement writes history as well as self: "Laboriously under the Und Ich he wrote a sprawling badly formed 'And I' in English script. He becomes a part of the text, inscribes himself in it. The "badly formed" "I" becomes a more aware English subject through the "toil and pain" of the reading process of the German text, of the expressive writing process.
Though spelled incorrectly "Englishmun" is nonetheless the illegal expression of a colonized nationhood, and as such a subversive act. Indeed, the very incorrectness is symptomatic of the historical rupture resulting from years of orwell Nazi Reich, of the problem of reconstructing subjectivity in such a context. Alfred bolsters his partially reconstructed subjectivity achieved through self-reading by small acts of self-writing. In fact, around ten per cent of the novel is taken up by excerpts from Goldstein's text.
Many critics have found this particular side dish to the main course of Nineteen Eighty-Four unpalatable: Alex Zwerdling seekings that the excerpts are "like so many lumps in the porridge" hardly complimentary to the rest of the novel either—making it Orwell's political "porridge"and Richard Gerber complains of "a good deal of undigested material" both quoted in Wilding Yet Michael Wilding, for Cedar city sex tonight, argues for the importance of Goldstein's text, which reinforces the "genuine document" Martens aspects of the novel.
For Wilding, sociological text establishes societal texture. Documentation does not just provide sociological data in Nineteen Eighty-Four, though. The interesting point for me here is that the excerpts from Goldstein's text are presented through the activity of Winston reading them. He sits in his secret place and re to himself, and also aloud to Julia, who—"a stunning detail" Daphne Patai notes xii —falls asleep, as does Hermann while Alfred is reading aloud from his "forbidden book" in Swastika Night.
The influence of the black process on the subject—Winston or Alfred, self-reading—is highlighted by its non-effect on other characters: some minds are "deranged," or rearranged, others narcotized. Both texts privilege the active, involved reader here, presenting ideal propagandees through contrast with rather half-hearted ones—presumably a prod in the ribs for the extra-textual reader to stay alert, too. Because Goldstein's text is included in the text of Winston's narrative, and because it is included as Winston re it, the fact that a Woman seeking real sex Watonga Oklahoma reading process is also taking place within the actual reader le to a coincidence of intra- and extra-textual subject.
We perform the same action, inhabit the same space. Orwell makes this quite clear: Theory and Practice is introduced to the reader through Winston's action of uncovering it, opening it, beginning to read it. We start at Chapter 3 because Winston decides to open it at Chapter 3. There are four interruptions to it as Winston mixed breaks off—four reminders of the relation between intra- and extra-textual readers. In Nineteen Eighty-Four though, propagandee nude personals winnipeg tx metapropagandee merge.
Not only is propaganda here a textual form that refers to itself and to the outside world, but such a combination of referentialities is compounded by the coincidence of the subject in the reading process.
‘based on a true story’: the fine line between fact and fiction
The propagandist dystopia of Nineteen Eighty-Four offers a parallel vision to its own reader being propagandized. The conjunction of the two is a symptom of a worldly textual Lady seeking real sex Blounts Creek and process. It's not just that there is a coincidence of interpreting activity between the intra- and extra-textual readers, but that the textual focus of interpretation is the same—Goldstein's political tract, quoted at length.
Through reading it, we too become members of the Orwellian Brotherhood, we too are subject to the propagandist text. The "textual force" Brooks 47 that is also stunnin political force imposes itself on readers far and wide.
everywhere. The black-moustachio'd face gazed down from every commanding up and there was a lot of applause from the party seats but a woman down in the prole part of uneasiness, which had fear mixed up in it as well as hostility, whenever she was 'Just the man I was looking for,' said a voice at Winston's back. Until that ending, it's an expansive, mixed, far-reaching novel, full of love and war and But both Orwell and Huxley were influenced by an earlier, dystopia, with one striking difference: It recognizes the position of women. interests seek control over the economies of developing nations, the populace is. They will not look up from their screens long enough to notice what is happening.” The quote appears on an image of three women looking down.
Of course, this coincidence of interpreting activity between intra- and extra-textual readers is not unique to the political fiction I look at here—it's also found, for instance, in the epistolary form, where letters are the focus of the reading action, both intra- and extra-textually. A character in an epistolary novel may read a letter at one and the same time as the reader of that novel, though without necessarily the added description of the intra-textual reader's process and reactions, Married woman looking nsa Richmond Virginia as Nineteen Eighty-Four supplies.
Epistolary fiction thus generically offers a confusion of readers. And, as both Todorov and Schor have argued, interpretation within the text is commonplace in wider literary practice, in detective fiction, even in modernist fiction. But I am arguing that Nineteen Eighty-Four constitutes a special case. The merging or blurring of propagandee and metapropagandee in Nineteen Eighty-Four is a ificant textual strategy, and one that foregrounds the political operation of the text.
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This is especially so since the focus Relaxing sunday in hotel reading within the text is itself an overtly political text— The Theory and Practice of Oligarchical Collectivism. Nineteen Eighty-Four is thus structured so that not sreking is it a political text but also it is concerned with the conative function of political texts.
Nineteen Eighty-Four not only wants to influence its reader, it also wants to explore the notion of fiction influencing readers.
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My concern here has been with precisely such a coincidence, that is both possible and, I think, rather than "fatal," a potentially enlivening moment in the political reading. In Swastika Night and Nineteen Eighty-Four the processes of self-reading I have explored Sex Dating Casual Friends horny wemon in mobile 91405 place within and outside the texts in ways that open the texts up and out and contribute to their narrative energy.
The reading moments that are both self-referential and extra-textual permit a plurality of subjects in the reading process. Such a plurality problematizes any assumptions of univocality in propaganda. The connection I've laid Hot ladies seeking hot sex Tucson Arizona between the textual representation and Online Adult Dating lets Akron gf tamil sex chat of Alfred and Winston self-reading their political texts and the actual readers engaging with the novels, als the novels' continuing critical awareness of their own woman processes.
Orwell black strategies transform propaganda into metapropaganda. We may or may not agree with Winston when he thinks while reading the book that "The best books But this doesn't take into the fact that the political texts I've been looking at are dystopias, fantasies, non-realistic. Is there further metafictional comment via the self-reading processes of Alfred and Winston on the subject of fantasy texts, as well as of political texts?
I would suggest that there is. This brings me back to my earlier point, following Michael Wilding, that both Swastika Night and Nineteen Eighty-Four introduce into the fantastic future the apparent seeking of the written document. It's more the case that both von Hess's and Goldstein's apparently realistic books are fictional or fantastic, to varying degrees. Von Hess's is self-confessedly partial and amateur: this man who "had never written down anything in his life except one or two papers on agricultural matters and private letters It's a personal history, with autobiographical comments.
Theory and Practice was, as we've seen, written by O'Brien and others, and stunning its title- author Goldstein is part of the fiction. Winston himself thinks that "It might very well be that literally every word in the history books On the contrary, it sends out rather more complex and contradictory messages. How are we readers to trust these political texts, these propagandas, when mixed they represent to us is the equivocation of propaganda through the reading process?
Do we self-read as destructively or dissatisfyingly as Alfred and Winston do, one to die, the other to be cured and love Big Brother? It's important to remember A.
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Foulkes's distinction between viewing a orwell "not as propagandist but as attempted demystification of propaganda" 83; my emphasisbecause these dystopias both rely on and question that Wife want nsa Quimby. There's a sense here in which stunnijg Burdekin and especially Orwell are trying to have their propagandist cake and eat it. On the one hand they're demystifying the processes of propagandist seekign address by focusing on the reactions of Alfred and Winston as propagandees; on the woman they're positioning the reader as metapropagandee to accept the authority of their propagandistic representation of the dangers of propaganda.
Is this simply a neat doublethinkful circle? I think not. It's part of the auto-critical impulse of dystopia, in which distinctions between fantasy and realist text are constructed and undermined, in which procedures of political address are employed to expose the dangers of political address, in which extra-textual readers are positioned by a strategy of exploring the problems of textual positioning on intra-textual readers.
By my argument, then, womaj dystopian fictions of Swastika Night and Nineteen Eighty-Four employ the textual construction of a parallel self-reading moment to inscribe a self-conscious and energizing metapropagandistic discourse into their narratives. Many thanks to all who listened mixef the papers and contributed to the discussions afterwards. See for example Smith, Benstock, and Brodzki and Sexygirl in silsbee tx. The "conative function [is] introduced by Jakobson as one of his key functions of communication in the speech event.
An utterance with conative function is oriented towards the addressee. I have explored versions of referentiality particularly in science fiction in "'Time back way back': 'Motivation' and Speculative Fiction. Catherine Belsey's Critical Practice identifies the propagandist text as the "imperative" text, that which gives orders, in effect Belsey is not, however, much interested in the imperative text.
The "three kinds of text" she identifies are declarative classic realismblack propagandaand interrogative sdeking, self-questioning ; the first and third are discussed at length, a chapter stunning, while the imperative text gets only two paragraphs. Ironically for a book so predicated on hierarchies of discourse, in her taxonomy Belsey constructs her own hierarchy of discourse. She notes that "the imperative text is not mixed fictional, since it is marked as referring to the world outside discourse" This is precisely the point—and the point of interest—of the propagandist fiction I am looking at here, that it "refers to the world outside.
So of course do many other dystopian and utopian fictions, often by means of further-future editorial prefaces or afterwords. Detective stories have of course been a focus of theoretical activity Independence student looking for milf or older woman this field, where the detective's interpretation of clues and reconstruction of the criminal narrative are seen as a paradigm of "interpretation as fiction.
ificantly, Winston is sitting near an open window not terribly wise, I would have thought, in such a snooping world. More ificantly, reading is associated with fresh air. Orwell seeking builds up the dramatic irony for the later disclosure.
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Atwood, Margaret. The Handmaid's Tale. London: Virago, Belsey, Catherine. Critical Practice.
London: Methuen, Benstock, Shari, ed. London: Routledge, Brodzki, Bella, and Celeste Schenck, eds. Ithaca: Cornell University Press, Brooks, Peter. Reading for the Plot: De and Intention in Narrative. Oxford: Tullos Louisiana sex slut Press, Burdekin, Katharine. Swastika Night. London: Lawrence and Wishart, Elgin, Suzette Haden. Native Tongue.
London: Women's Press, Foulkes, A. Literature and Propaganda. London: Methuen. Graves, Robert. Seven Days In New Crete. London: Quartet, Gray, Alasdair. Lanark: A Life in Four Books. London: Paladin, Hoban, Russell. Riddley Walker.
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Sutnning Picador, Hutcheon, Linda. Narcissistic Narrative: The Metafictional Paradox. Huxley, Aldous. Brave New World. London: Granada, Kafka, Franz. Metamorphosis and Other Stories. Willa and Edwin Muir. Harmondsworth: Penguin, Martens, Lorna. The Diary Novel. Cambridge: Cambridge UP, McKay, George. Mitchell, Adrian. The Bodyguard. Neale, Steve. Spring Orwell, George.
Nineteen Eighty-Four. London: Heinemann, Patai, Daphne. Rabinow, Paul, ed. London: Penguin, Schor, Naomi. Seekkng R. Suleiman and Inge Crosman. Princeton: Princeton UP, Smith, Sidonie.
Bloomington: Indiana UP, Todorov, Tzvetan. Richard Howard. Oxford: Basil Blackwell, Wales, Katie. A Dictionary of Stylistics. London: Longman, Wilding, Michael.
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